Guerilla Filmmaking, or Filmmaking Gorilla?

The two Walking Distance trailers are making their rounds, and response has been phenomenal. Glad I went through with the dual trailer idea - people seem to be digging it/them.

My favorite quote so far:

"Man, I've seen both Walking Distance trailers now, and I feel like I'm putting together a puzzle without the border... and I love that." - Matthew Orsman

Here are a few more online mentions:

Arrow in the Head did a story on the Black trailer.

Our friends at Horror-Movies.ca did a piece on the Red one (and reposted the Black).

Dread Central ran a piece linking to the Red trailer as a companion piece to their earlier Black trailer exclusive.

Icons of Fright reposted a link to the Dread Central story.

Horror Yearbook also did the same for us.

Totally bitchin', as the Regman would say. I'm extremely pumped that everyone is so excited to see Adrienne, Reggie, and Debbie go after it (which they do, with gusto).

Quick answers to a few repeat questions that I've recieved:

Q: I thought there were supposed to be zombies in Walking Distance?
A: The first few drafts I wrote in the late 90's had zombies. Actually, it was envisioned as a zombie movie. Then we had a couple of really good zombie movies come out, re-igniting interest in the sub-genre. THEN we had a shit-ton of bad ones come out. I got pretty sick of zombies/infected/the walking dead, so I began an overhaul around the time we started Closet Space. And here we are, sans zombies, and all the better for it, I think.

Q: Wow, it looks like a REAL movie.
A: I hired a great DP by the name of Philip Roy. Check out his other projects. Hopefully I can continue to "borrow" him from the other Phillip :). We agreed early on to step outside of the accepted "context" of horror movie cinematography. Additionally, my goal is to keep raising the bar as far as production value - steadily climbing as we go along. That seems obvious, but a lot of folks are content with spinning their tires (or "waiting for funding").

Q: How'd you get all those people in your movie?
A: Have you ever read Faust?

Seriously, everyone pretty much responded to the script. Which was kind of a shock to me, because I figured it was too esoteric, personal, and dark. Apparently they all like projects that are esoteric, personal, and dark. Who knew?

Q: Where'd you get the CG for the liquidy trailer stuff?
A: If by "CG", you mean "Carport Gestated", then you'd be right. Dwayne, Chris, Melanie, and I did it using an aquarium and some basic science I picked up when I was almost an engineer. I also shot it overcranked on the HVX200 at 720p to make it look even cooler. If you want more details, you can email me about it.

Q: Why "Red" and "Black"?
A: Have you looked at the poster?

Q: Why do two trailers?
A: 'Cause there's a lot going on. I preferred to do two shorter trailers that give you some info/background, rather than one overstuffed one, or one with just a bunch of flashy shit and no story beats at all. There are other reasons as well, but the depth of the story is the main reason.

I almost did a trailer as Mel House, head of the House Travel Agency, enticing you to come take a trip to the community featured in the movie. Then I realized that I had heard that one before.

Q: Why no "Made In Texas" tag at the end?
A: Lots of reasons. Some personal, some professional, some probably irrational. But that's how I roll.

Q: What's the movie about, really?
A: Anger, family, racism, something evil, arson, sexual deviancy, emotional stuntedness, betrayal, revenge, selfishness, pseudo-science, sickness.

Among other things.

Q: What's next?
A: Fangoria Chicago. Another trailer ("White") in Spring 2009.

Q: YOU SUCK, YOU TALENTLESS, ELITIST, SMUG, HOMO BASTARD!
A: Mom?