Guerilla Filmmaking, or Filmmaking Gorilla?

This weekend was jacked up.

To begin - Thursday and Friday I spent cleaning up after the FX shoots last week. Basically putting my carport, house, and equipment in order, and moving the tentacles and monster into climate-controlled storage until we need to pull them out for insert shots in a few weeks.

Thursday night I started to feel a little weird. Friday...a little worse. Then Saturday came around, and I had full-blown food poisoning (the lack of blood in my explosive diarrhea led me to believe that it was of the staph variety). Now, I am the Food Poisoning King. I've probably been hit with this stuff 15-20 times in my life (both E.Coli and Staph), and this was the absolute worst that I've ever felt because of it. I wanted to curl up and die.

Unfortunately, we had a pretty heavy shoot scheduled at Phobia on Saturday, and try though I did....there was no way in hell that I was going to make it out for that. We couldn't cancel for various reasons (actors coming in from out of town, schedules not permitting reshoots, etc.) so the show had to go on, somehow. I eventually decided to make Will my 2nd Unit Director (which is the industry term for pinch-hitter), and gave him a detailed outline of what to shoot - along with briefing Melanie and Domingo on what needed to be done and how. I somehow managed to do all this between my frequent trips to the bathroom. So I laid on the couch, delusional and feverish, while the cast and crew tried to approximate my ideas of what should be shot. I recieved a few calls throughout the day and fielded some questions and that was about the extent of my "directing" for that day.

So I view the footage after they wrap that night, and of course there's some of it that I'm unsure of...but I think that I can make it work. In hindsight, I probably should have completely rescheduled the entire day...then again maybe I'm being nitpicky. I'm just worried about continuity, visual flow, and in some cases, character beats for some of the sequences. You know...all the things that are a director's job....when he's not puking his guts out. Overall though, I think we made the utmost of a bad situation, and a few things look really cool, so it goes down as a success. I know that there seemed to be a dawning realization that my job isn't as easy as some might think. For that, I am thankful. Well, as thankful as you can be with nothing solid in your stomach.

Sunday...so Sunday I had to get up after the intestinal hell of Saturday, and get a U-Haul and head out to Ledbetter to dismantle the set at the Farmhouse. Domingo, Oliver, Dwayne, Melanie, and Curtis (Melanie's dad) went along to help out. We (mostly they) broke down the closet hallway, replaced the fixtures and original door, and cleaned up all the trash. A lot of crap to do, but we were done pretty quickly, considering. After loading up, we took the set back down to Phobia, where we will rebuild it and shoot some more in the coming weeks. Jason (Soundwave) and Marissa showed up and helped our tired asses out with that. It was a long and arduous process, but it got done...mostly due to everyone else's hard work (since I was sapped of strength and energy, much like Superman 2).

This coming weekend we reassemble the set and build new permutations of it, then the next weekend we shoot some more. Principal photography on Closet Space should be completed by late July.

My thanks go out to everyone that helped pick up slack this weekend - be it mine or anyone else's.